DVD Rental Charts, Easy dvd Rental

This is too bad because Blazing Saddles shows that such language, given the right context, can actually combat bigotry by showing how stupid it really is. Cleavon Little, as Sheriff Bart, and Gene Wilder, as The Waco Kid, are presented as islands of sanity in a sea of ignorant, racist townspeople. The 'n' word is thrown out repeatedly, but is intended as an insult to the people who say it rather than a slur against blacks. Mel Brooks, a very liberal Democrat, recognized that racism is offensive and nasty in nature and showed it in its true light in Blazing Saddles. As a result, the film does more to ridicule racism and bigotry than most serious "message films" on the same subject ever could.

Unfortunately, the corporate suits who now run the big studios are more worried about image and profits than producing quality movies. As long as a film offends as few people as possible and appeals to as many members of the general public as possible (preferably between the ages of 18 and 35), the executives like it -- even if the film has no originality or artistic merit at all. As a result, films like Blazing Saddles and TV shows like All in the Family are taboo these days. Hollywood has lost a lot of daring and courage since 1974. See Blazing Saddles and you will realize just how much.

The plot of "Blazing Saddles", as I eluded to in my review opening, takes place primarily in the fictional old-west town of Rock Ridge, whose residents seemingly all have the same last name and who have been mercilessly besieged by a group of thugs who are lead by a man named Taggart (Slim Pickens, 1919-1983). After the thugs kill the sheriff of Rock Ridge, the residents send an urgent plea to Gov. LePetomaine to immediately appoint a new sheriff. Gov. LePetomaine delegates the appointment to his assistant Hedley Lamarr, whose nefarious secret agenda is the destruction of Rock Ridge to make way for a new railroad line. Lamarr devises what he believes will be the final, unconscionable inducement to the residents of Rock Ridge for them to vacate: the appointment of a black sheriff, Black Bart (Cleavon Little, 1939-1992). Most of the residents of Rock Ridge are aghast when Sheriff Bart rides into town. However, he quickly acquires a sidekick in Jim 'The Waco Kid' (Gene Wilder) and some unsolicited attentions from the heavily accented visiting stage performer Lili Von Shtupp (Madeline Kahn, 1942-1999), whose passions include the consumption of schnitzengruben. The story continues to entertain as it builds to a climax that only the twisted comedic genius of Mel Brooks could devise. Also, in classic Mel Brooks fashion, the film includes several musical interludes that include the film's title song (sung by Frankie Laine), "The Ballad of Rock Ridge", "I'm Tired" (sung by Madeline Kahn), "The French Mistake" and "April in Paris". Other memorable characters include Olson Johnson (David Huddleston), Rev. Johnson (Liam Dunn, 1916-1976), Mongo (Alex Karras in his first big-screen role), Howard Johnson (John Hillerman), Van Johnson (George Furth), Gabby Johnson (Jack Starrett, 1936-1989), Harriett Johnson (Carol DeLuise, a.k.a. Carol Arthur), Dr. Sam Johnson (Richard Collier, 1919-2000), Buddy Bizarre (Dom DeLuise) and a cameo by Count Basie (1904-1984). There were also several brief uncredited appearances by Anne Bancroft, Gilda Radner (1946-1989) and Rodney Allen Rippy who played Bart at age 5.

Overall, I rate "Blazing Saddles" with a resounding 5 out of 5 stars. It is a hysterically funny film that I can highly recommend to everyone. Though none of Mel Brooks' other films were as financially successful as "Blazing Saddles", many are noteworthy of mention, including "The Producers" (1968), "Young Frankenstein" (1974), "High Anxiety" (1978), "The History of the World, Part 1" (1981) and "Spaceballs" (1987).

This movie is completely un-apologetic and un-PC in it's approach to racism - there's no way it would have been made in the last 20 years and but Mel Brooks would have the courage - but it's not a racist or preachy movie. It's just funny.